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Through close encounters with a hundred carefully handpicked works, spanning nearly a thousand years, and ranging from Jain manuscripts and Pahari and Mughal miniatures to Company School paintings, B.N. Goswamy unlocks the many treasures that lie within them. As he narrates the stories behind each work, and deciphers the visual vocabulary and language of the painters, he also brings to life the cultural, social and political milieu in which they were created. An illuminating introductory essay precedes the section on the 101 paintings Lavishly illustrated, and combining deep erudition with great story-telling, this is a book of enduring value that will delight the reader and teach him new ways of seeing and appreciating art.
- Sales Rank: #1156433 in Books
- Published on: 2014-11-30
- Original language: English
- Dimensions: 9.41" h x 1.97" w x 7.13" l, 4.48 pounds
- Binding: Hardcover
- 560 pages
About the Author
B.N. GOSWAMY has taught at several universities in India and abroad, and cocurated major exhibitions of Indian art at the world's leading museums, most recently the pathbreaking exhibition Masters of Indian Painting at the Metropolitan Museum of Art, New York. He was awarded the Padma Bhushan in 2008.
Most helpful customer reviews
4 of 4 people found the following review helpful.
A wonderful masterpiece for Indian art lovers
By PS
This is a wonderful book by well-known art historian B N Goswamy. It really is the culmination of a lifetime of scholarly effort curating and studying Indian art. Indian art has always been classified in terms of the wealthy patrons who sponsored it. We've never been able to refer to our Michelangelo-s or Caravaggio-s because the artists often came from extremely humble backgrounds (in old India, from humble castes) and were probably forbidden from even signing their work. Dr. Goswamy tries to pierce the shroud of silence surrounding the artists themselves and in this book he looks at 101 paintings (only painted work on paper is featured) through the lens of the artists who made them. The focus is very Northern (Persian, Mughal, Rajasthani, Punjabi, some Gujarati and Bengali), basically nothing south of the Deccan (except for the single work from Mysore). That still does not take away from the aesthetic wonderland that this book offers. The works are loosely grouped under Visions (painting abstract concepts and mythologies), Observations (sights and scenes), Passions (poetic moods both serene and frenetic) and Contemplation (quiet and intense). There are well-written 2 -3 page essays deconstructing every painting. The paper is high quality and the print is really nice with vivid colors. I wish the book were coffee table sized (rather than 9.5 x 7.1 inches) so I could really look at some of the detail, but I do think I am nitpicking. This book will give me a lifetime of pleasure.
0 of 1 people found the following review helpful.
good detail.
By Kathryn Westbrook
just as I expected, good detail.
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