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Minggu, 16 Desember 2012

[J134.Ebook] Ebook Download Adolf Hitler: A Biographical Companion, by David Nicholls

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This A–Z biographical sourcebook provides information about the life and times of Adolf Hitler, along with insight into the political movement and world conflict he created.

• 344 A–Z entries

• 46 illustrations, chronology, and bibliography

Sales Rank: #8748261 in Books
Published on: 2001-02-01
Original language: English
Binding: Paperback
300 pages

Review
"The information and analysis are very helpful to anyone seeking to understand this dark and complicated man and the impact he had on human history. Students will find this volume a good place to begin research on Hitler, and the bibliographies will help them find more complete information. Recommended for high school, public, and undergraduate libraries." - Booklist

"'Adolf Hitler: A Biographical Companion is an orderly and succinct work that provides easy access to a good deal of useful information. . . . Given its format and ease of use, students and lay readers will find it equally compelling. It merits consideration for public, high school, and undergraduate collections." - Against the Grain

"A first-rate encyclopedic resource. . . . An outstanding reference resource that is highly recommended for any library." - American Reference Books Annual

"Recommended for general and undergraduate collections lacking the sources listed or for collections in need of a complete, up to date set of sources on this topic." - Choice

"The book is excellent. . . . The text does give good analyses. . . . It is recommended for reference collections in public, sixth form, and undergraduate libraries." - Reference Reviews

About the Author

David Nicholls has taught history at the University of Leeds, the University of Exeter, and at Tours in France.

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4 of 4 people found the following review helpful.
Good for beginners
By Candace Scott
If you're looking for a book which focuses on Hitler's private life, forget it, you'll have to look elsewhere. The book is decidedly weak in explaining Hitler as a human being. However, there is strength in the military aspects of the book. Hitler's rational for attacking the Soviet Union and his inexplicable (and stupid! decision to declare on the USA on Dec. 11, 1941, are explored in some detail. Remember, this is a very basic work, intended for beginners or people who have a limited grasp og WWII. If you're a serious scholar of the era, this will not be your cup of tea. But if you're just starting to read about World War II and Hitler, this is not a bad start.

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Sabtu, 15 Desember 2012

[Q915.Ebook] Ebook Download Losing Site: Architecture, Memory and Place (Ashgate Studies in Architecture), by Shelley Hornstein

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As Ruskin suggests in his Seven Lamps of Architecture: "We may live without [architecture], and worship without her, but we cannot remember without her." We remember best when we experience an event in a place. But what happens when we leave that place, or that place no longer exists? This book addresses the relationship between memory and place and asks how architecture captures and triggers memory. It explores how architecture exists as a material object and how it registers as a place that we come to remember beyond the physical site itself. It questions what architecture is in the broadest sense, assuming that it is not simply buildings. Rather, architecture is considered to be the mapping of physical, mental or emotional space. The idea that we are all architects in some measure - as we actively organize and select pathways and markers within space - is central to this book's premise. Each chapter provides a different example of the manifold ways in which the physical place of architecture is curated by the architecture in our "mental" space: our imaginary toolbox when we think of a place and look at a photograph, or visit a site and describe it later or send a postcard. By connecting architecture with other disciplines such as geography, visual culture, sociology, and urban studies, as well as the fine and performing arts, this book puts forward the idea that a conversation about architecture is not exclusively about formal, isolated buildings, but instead must be deepened and broadened as spatialized visualizations and experiences of place.

Sales Rank: #4121343 in Books
Published on: 2011-08-28
Original language: English
Dimensions: 10.00" h x 7.00" w x .75" l, 1.24 pounds
Binding: Hardcover
182 pages

Review
'In Losing Site Hornstein takes us on a dizzying pilgrimage from the Guggenheim to Google Earth, from Toronto to Tel Aviv, showing along the way how architecture, place, and memory work together in dynamic interplay. Hornstein's themes are as wide-ranging as the places she explores: nationhood and nationalism, war and demolition, starchitecture and everyday life. The book offers a unique look at how our fast-paced, technology-driven lives have re-shaped travel and tourism.' Annmarie Adams, McGill University, Canada 'Losing Site is an erudite and extremely thoughtful meditation on the nexus of architecture, memory, and place. Shelley Hornstein brings a theoretically-grounded sensibility together with an amazingly astute eye in her discussions of site-specific art and architecture - ranging from Karavan's Benjamin memorial at Portbou, to synagogue ruins at Capernaum, to the contemporary explosion of striking new memorials and museums in Berlin, and beyond.' James E. Young, University of Massachusetts Amherst, USA 'Losing Site: Architecture, Memory and Place is an extended meditation on how architecture sutures, unravels, and transforms the human experience of place and identity... Hornstein's intriguing interdisciplinary odyssey reminds social theorists, visual artists, and architects alike, why we need to pay close attention to both the architecture of imagination and our imagination of architecture.' Historical Justice and Memory Research Network 'Losing Site: Architecture, Memory and Place is an inspiring work of ample intellectual breadth. Hornstein has skilfully interwoven a wide variety of case studies, to suggest that the material and non-material worlds are seamlessly interconnected in everyday life and we often can't easily know where one ends and the other starts. She most aptly reminds us that architecture that shapes and is shaped by us remains open and unfinished.' Emotion, Space and Society 'Hornstein's book evokes landscapes, buildings, memorials and even postcards to argue for memory's primacy among ways of organizing our perceptions... Hornstein certainly deals with topics of wide interest and relevance.' Journal of Urban Technology

About the Author
Shelley Hornstein is Associate Professor of Architectural History and Visual Culture at York University, Canada

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Jumat, 14 Desember 2012

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An Introduction to Old Norse

Sales Rank: #516437 in Books
Published on: 1981-07-23
Original language: English
Number of items: 1
Dimensions: 4.94" h x .91" w x 7.31" l, .89 pounds
Binding: Paperback
496 pages

Review

"This is a superlative textbook for the teaching of Old Icelandic (language and literature)."--R. Mark Scowscroft, Catholic University of America

Language Notes
Text: English

Most helpful customer reviews

109 of 109 people found the following review helpful.
Good, but here's another idea...
By Cinna the Poet
This is a very nice book and the one we used in my Old Norse class at BYU, and the selections are all very good, very interesting. However, I agree with the reviewer that this is, despite the title, hardly the best introdruction to the language.
What I recommend is this: Get yourself Stefán Einarsson's fine book, "Icelandic: Grammar, Texts, Glossary", which is set up in lessons for the beginner and which you can get real cheap here at Amazon. That book is modern Icelandic, so the readings aren't about Egill Skallagrímsson or Snorri's Edda, but not only is the Old Norse spirit very much alive in modern Iceland (and all the people very familiar with the old stories), but the language has changed extraordinarily little in the last thousand years (very very minor things), so that if you learn modern Icelandic even reasonably well (which you will from Einarsson), you can easily pick up the sagas with no problem.
Then, when you've finished with his book, you can get Gordon, which will be much more enjoyable then. Alternatively, you can get the texts of lots of the sagas online from Icelandic sites and get hardcopy English versions here at Amazon to use as "ponies". (Hrafnkels saga is a good one to start with, or Snorra Edda.) Good luck!

70 of 70 people found the following review helpful.
But not for beginners
By Richard A. Weaver
Please don't send away 30 dollars thinking that this book is going to teach you to read Old Norse / Old Icelandic. If you're hoping for a basic grammar, with graded lessons, you're going to be disappointed. This is an excellent work, an indispensable work, but it's a reader for those who have already learned the basics of Old Icelandic.
After a brief introduction to Scandinavian history, the Viking expansion, and saga literature, the author gives about 160 pages of West Norse, normalized into classical Icelandic. Most of the selections are from the sagas, and they are well annotated, and a full vocabulary is included in the back of the book. There is also a section on what he calls "East Norse" (the Old Norse particular to Denmark, Norway and Sweden), and a small section dealing with the language of the runic inscriptions.
There is a 40 or 50 page section where he presents the grammar, but it's more along the lines of an outline of the grammar. It's sufficient for someone who already has a good knowledge of Old English, OHG, or Gothic, but my hat's off to anyone with the determination to acquire a reading knowledge of the language from this grammatical sketch alone.
There's the rub: where DO you get the introduction to Old Icelandic that will enable you to use this book with benefit? The superb learning grammar "Old Icelandic: an Introductory Course" by Valfells and Cathey is out of print. Kenneth Chapman wrote "Graded Readings and Exercises in Old Icelandic" about 35 years ago, but that's disappeared as well. Until either of those works is reprinted, or a new introduction is written, it's going to be tough.
But none of this is meant to take anything away from Gordon's work; it's a wonderful, scholarly work. Problem is, you really do need to have something of a background before you use it.

24 of 25 people found the following review helpful.
A venerable classic--learn the language by your bootstraps
By abt1950
It seems like this book has been around forever. It was first published in 1927 and for many years was the only English language resource for learning Old Icelandic. But that didn't mean that Gordon made the process easy. There are no basic lessons of the "Helgi is a Viking. See Helgi loot" type that you normally expect to find in an introductory language text. On the contrary, Gordon provides the grammar and vocabulary all right--at the end of the book--but it's up to the user to apply them to the wide selection of classic Norse literature that he's included. It's not an impossible way to learn the language, but it can be confusing at first. Those who have a background in Old English will find it easier going because of the similarities between the two languages.
Gordon was the text my class used many years ago when I took Old Norse in grad school. I still remember my professor pointing out all its inaccuracies and criticizing the author. Nonetheless, between Gordon, Zoega's dictionary (now available online), and a xerox of "Gunnlaug's Saga," we muddled through. Learning a language by parsing each word is tedious, but it does give one a sense of accomplishment.
In addition to the grammar and literary selections, Gordon contains a lengthy historical introduction to Old Norse literature. It's out-of-date by now, but still a good place to start. As for the selections themselves, they provide a fairly broad overview. "Hrafnkel's Saga," a gem of a character study, is given in its entirety. There are selections from Snorri and from the Vinland sagas, among other pieces. The only complaint that I have is that Gordon is a little light on the poetry. The humorous "Thrymskvida" (sorry about the spelling) and "The Waking of Angantyr," an eerie little piece not included in the standard eddic canon, are the major poems.
Whether or not you use Gordon as your primary grammar, its selection of litearture makes it a worthy companion for the student of Old Icelandic. My copy is now battered and missing its spine, but it still has a place on my bookshelf.

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Senin, 10 Desember 2012

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Sales Rank: #7608776 in Books
Published on: 1964
Number of items: 1
Binding: Hardcover

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Sales Rank: #4402608 in Books
Published on: 1975-06
Original language: English
Number of items: 1
Binding: Hardcover
161 pages

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Minggu, 09 Desember 2012

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Sales Rank: #5269334 in Books
Binding: Paperback

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Jumat, 07 Desember 2012

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'DARK, HAUNTING, TWISTED' BEST CRIME FICTION BOOKS FOR 2015, THE TELEGRAPH

SHORTLISTED FOR THE VIRGINIA PRIZE FOR FICTION

A complex game of cat and mouse in the seedy streets of Nottingham ends in death. Young artist Mia Jackson is compelled to watch the posthumous video diaries of Jack Flood – controversial bad boy of the London art world and convicted serial killer. Can Mia allow Drake Gallery to show Aftermath in their retrospective of his work? Muse or victim, why was she allowed to survive?

'This is a smart modern thriller, with a strongly feminine outlook (still unusual in crime fiction). Jaq Hazell may be an author to watch' Best Crime Fiction Books for 2015, The Telegraph

'Gripping, unusual, and very well written – loved it' Louise Voss, author of From the Cradle

'Dark, twisted, full of suspense – a book that challenges your perception of it right to the end – would highly recommend' Selina Trafford, goodreads

'Words have power, and books like this showcase that power to a disturbing degree' Scifiandscary.com

'It is a disturbing reflective book that will refuse to loosen its grip on you for quite some time' Book Fabulous

'A magnificent mystery novel that constantly keeps you on your toes and wanting more!' Published Moments

'The twist at the end was brilliant and I didn't see it coming at all! A thoroughly fantastic read' Kel A, Amazon

'Set in the student/red light district of Forest Fields in Nottingham, it's an edgy read and the beautifully expressive and vivid writing puts you right there, right now. I didn't want to put it down' Amazon review

'Flood is an artist who uses a camcorder to record everything. There are murders of street girls. Is it Flood? I had to find out. I was guessing who it was but got it wrong. I would highly recommend this book. Must read' Sue Wallace, goodreads

'I definitely put this among my favourite books this year' Mrs A Hunt, Amazon

'Jaq Hazell's way of writing about the unfairness of the world and the dangers of being a girl in this day and age really resonated with me and reminded me of the author Gillian Flynn. I would recommend this book to fans of Gone Girl. I Came to Find a Girl will make you see the world in a different way. It will make you question the inspiration behind certain pieces of art, you will find yourself walking a little faster on your way home in the dark and looking over your shoulder making sure you really are alone' OnlineBookClub.org

'With themes of date rape, celebrity worship and insights into the bizarre world of art, this reflects some of the darker elements of the world... A thought provoking and enjoyable drama that was an education about the art world. Mia's growth as a character kept my attention throughout the book, and the little twist made me smile' Northern Crime Reviews

'The writing is stunning. It just flows beautifully. In terms of the dialogue it feels real. A book that is full of dark and light and all the shades of the palette. It's an earthy book full of mystery, beautiful characters and a real gem. One to add to your TBR now. Yes, NOW' mylittlebookblog.com

Sales Rank: #529893 in Books
Published on: 2015-10-29
Original language: English
Dimensions: 8.00" h x .65" w x 5.25" l,
Binding: Paperback
258 pages

Review
'This is an unusual thriller set on the fringes of the modern art world that is dark, haunting, twisted - and, in its own way, unforgettable' Best Crime Fiction Books of 2015, The Telegraph

'Gripping, unusual, and very well written - loved it' Louise Voss, author of From the Cradle

'Words have power, and books like this showcase that power to a disturbing degree' Scifiandscary.com

'A thought-provoking read that makes an excellent book club choice. One of the best reads this winter' Book Fabulous

'A magnificent mystery novel that constantly keeps you on your toes and wanting more!' Published Moments

'Jaq Hazell's way of writing about the unfairness of the world and the dangers of being a girl in this day and age really resonated with me and reminded me of the author Gillian Flynn. I would recommend this book to fans of Gone Girl. I Came to Find a Girl will make you see the world in a different way. It will make you question the inspiration behind certain pieces of art, you will find yourself walking a little faster on your way home in the dark and looking over your shoulder making sure you really are alone' OnlineBookClub.org

About the Author
Jaq Hazell has been shortlisted for the Jane Austen Short Story Award and The Virginia Prize for Fiction. She has an MA in Creative Writing from Royal Holloway, University of London. Born near Portsmouth, she studied textile design at Nottingham and her first full-time job was at Buckingham Palace. She has also worked as a humorous greetings cards designer and a journalist. She lives in London.

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2 of 2 people found the following review helpful.
One of the best stories I’ve read for "Books & Pals,"
By Pete Barber (Author)
I Came To Find A Girl is one of the best stories I’ve read for "Books & Pals," and when you consider I’ve reviewed 100+ and sampled at least six times that many titles, you’ll understand that is a substantial compliment to the author. Finding unique stories like this is what keeps me reading indie works.

The writing was light and crisp with terrific imagery. How’s this for a keen observation in a night club full of “beautiful people?”--“Boys with shaved heads and sharp suits stood in a Reservoir Dogs group while a Jesus lookalike in an artfully torn T-shirt popped something in his mouth.” The prose flowed. The dialogue was clipped and realistic. And the pages kept turning. The author owes me some sleep.

Large portions of the story were shown through the lens of a camera being used to record a documentary film. This unusual technique took a little getting used to, but it proved an effective and efficient way to cover a lot of ground, both physically (because the film was shot in short segments at different locations) and also emotionally, as the person holding the camera, Jack Flood, was a main character, and the movie he was making became a key part of the plot.

The main character, Mia, was a struggling art student heading into her final year and working as a waitress to cover her expenses. She and her friends were so real to me they jumped off the page.

There was an underlying mystery threaded through the book, but it never dominated the plot. Sure, I wanted to know “who done it?” but the journey was satisfying enough that it didn’t need a big reveal. I was disappointed when I turned the last page. Not because the story didn’t feel complete—it did--I just didn’t want it to end.

Highly recommended!

Disclaimer: This review was originally written for "Books and Pals" book blog. I may have received a free review copy.

2 of 2 people found the following review helpful.
Good technique but difficult for me to get to end
By SFSusan
I read a lot of mysteries and thrillers including a lot of British mysteries and thrillers. I found this book ok - I read on a long flight - But it left me cold and I forced myself to get to the end. I liked the way the author presented the story - mainly through a filming of events - but it was odd and at times extremely difficult to follow. I needed to re-read several sections to determine whether the character was watching the film or not. Wish I could have given this book another star.

1 of 1 people found the following review helpful.
A sophisticated game of cat and mouse.
By Megan
I was sent this book for free in exchange for an honest review.

Mia, a fine-art student in Nottingham is in her second year of University when she meets Jack Flood – a controversial artist who captures his work and life on his hand-held camera. The night Mia meets Jack changes her life forever in a way she never feels she will get over.

When girls start turning up dead and her close friend Jenny goes missing, Mia is starting to fear for her life in her student house located in the seedy, dangerous area of Nottingham – and with her final year of University fast approaching she needs to focus on her ‘finale’.

Jack Flood keeps appearing in Mia’s life, and when she’s trying to avoid him she wonders if he is in any way linked to these missing and murdered girls. After all, he ruined her life in one night so could his game of cat and mouse be the missing link to her friend Jenny?

What did I think?

Jaq Hazell was shortlisted for The Virginia Prize for Fiction for her incredible work with ‘I Came To Find A Girl’ and after reading it, I can definitely see why!

Hazell has written a magnificent mystery novel that constantly keeps you on your toes and wanting more! Not only has Hazell managed to write a gripping story, the way she has written it is incredibly. It all flows perfectly and gives you just enough to imagine exactly how the story should play-out.

‘I Came To Find A Girl’ really pulls you in to Mia’s student-life in Nottingham and incorporates some really racy topics that haunt us in today’s world. The way Hazell has approached these subjects (such as date rape and murder) is faultless and she really writes about them with the delicacy they require but not so delicate that it doesn’t leave you thinking.

I think this would be an incredibly interesting book to be adapted for the ‘big-screen’. It is so complex and could definitely be turned in to a hit-film if it is kept exactly as the book is.

I am definitely adding Hazell’s other releases and any future novels she may write. If the other novels are as good as this she could be competing for a spot as my favourite author!

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