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The Plumed Serpent, by D. H. Lawrence
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The Plumed Serpent is a novel by D. H. Lawrence, begun when the writer was living at what is now the D. H. Lawrence Ranch near Taos in U.S. state of New Mexico in 1924, accompanied by his wife Frieda and artist Dorothy Brett. It was first published by Martin Secker in 1926. The original working title of an early draft was "Quetzalcoatl", a reference to the cult of the plumed serpent in Mexico.
- Sales Rank: #678361 in eBooks
- Published on: 2013-03-02
- Released on: 2013-03-02
- Format: Kindle eBook
About the Author
David Herbert Richards Lawrence (11 September 1885 – 2 March 1930) was an English novelist, poet, playwright, essayist, literary critic and painter who published as D. H. Lawrence. His collected works, among other things, represent an extended reflection upon the dehumanising effects of modernity and industrialisation. In them, some of the issues Lawrence explores are emotional health, vitality, spontaneity and instinct.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Racism, misogyny, anti-Catholic Fascism in Mexico?
By Nik de Santa Fe
I've read nearly all of Lawrence's novels; Plumed Serpent is rather different than the others. The language, syntax, and phrasing in PS is not so definitively the authorial voice of a cultured Englishman. In PS, the two male characters are charismatic Mexicans; the female surging between these two strong men is an Irish woman transplanted to early 20th Century Mexico. The language is very Americanized here, even though none of the characters are USA-Americans, while DHL makes much of Mexico being American -- as in "the American continent" -- and not European.
DHL clearly was wary, perhaps even frightened, of Mexicans and what he repeatedly refers to, ominously, as their "black, center-less eyes." For DHL this meant it was impossible to know what the Mexicans were thinking, or feeling, if they were (or weren't) in fact doing either. I doubt that this novel, were it new, would be published today: it would be pronounced racist and Feminists would deem it misogynistic, as the strong, independent female protagonist seems really just need to be sexually overpowered by dark, native men. (One might want to recall that a close American friend of DHL and Freda, the white female artist Mabel Dodge, who gave Freda a ranch near Taos, New Mexico, married a local New Mexican native American Indian--Red Indian, in the words of DHL.) When the book was originally published, the controversy was about it being Fascist. It is most certainly anti-Catholic. This being DHL, male skin is well in evidence, of course, in this case brown rather than pale white.
There is a fair amount of Mexican native-Indian-gods-worshiping DHL poetry, if you like that sort of thing; if not, it is easy to skip over; it's man-cave kind of mumbo jumbo, though beautiful too. I presume (and intend to investigate) the scenes of native Mexican Indians stripping Catholic churches and burning the "idols" from within are fact-based. Another unusual thing: there is real shoot-'em-up (or slit their throats) violence here, though not much nor presented squeamishly.
On the whole: something unexpected and unlikely from DHL...but quite readable too, a page-turner, as it were.
21 of 27 people found the following review helpful.
Well-written
By D. E. W. Turner
In the area of the poetic use and the beauty of the English language, this book is well-written and certainly worthy of one's time taken in reading it. The language and the imagery invoked is breath-taking. In the area of subject matter, it is rather unique. An Irish woman journeys to Mexico just after the Mexican Revolution and becomes involved with two men who have taken it upon themselves to return Mexico to the religion of Quetzalcoatl and Huitzilopochtli. She joins them to become the First Woman of Malintzi and wife of the First Man of Huitzilopochtli. However, in the area of social language, the book is a product of its time. The Mexican people -- and all "dark" people -- are the objects of particularly malignant language, which I found objectionable. As an historian, I can place the book in its proper perspective, however, and recommend it as a good read.
3 of 4 people found the following review helpful.
worth a look
By R. Lee Holz
Although one hesitates to give any book by D. H. Lawrence two stars, in this case I must. The Plumed Serpent is no Son's and Lovers. This late Lawrence book is filled with long-winded, pretentious and repetitive passages of ersatz Aztec religious claptrap and equally ill-conceived mysticism about the savage Mexican Indian as a race. Couple these with a sort of proto-fascism, and one has a pretty nasty book. Lawrence's take on gender relations in this world of neo-Aztec revival is equally unattractive. At the same time, there are the descriptive passages of great lyric beauty that are pure Lawrence and some earnest wrestling with questions of individualism versus the commonality of humankind. I didn't like the book, but I'm glad I read it.
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